Daniela Doria
Nude

Dashing Daniela Doria spent the entirety of her skinful career in Italian cinema. Her first professional acting credit is the 1976 comedy film Classe mista (Mixed Class). Later that year she appeared in another comedy, the Guido Leoni-directed film Le Seminariste (The Seminarians), but it was in Il ginecologo della mutua (The Gynecologist of the Health Insurance) (1977) that she got nude for the first time on screen. Daniela is a gynecologist’s dream in this screwball-draining comedy. She goes full-frontal, advertising a perfect ’70s bush in multiple scenes. Thankfully she completes the picture by turning around to show us her plump posterior. In 1978 Daniela slipped into the comedy-drama To Be Twenty, but this was the last funny stuff that hotstuff Daniela would do for a while. She decided to try her hand at horror flicks, which proved to be the apex of her career. From 1980 to 1982 Daniela appeared in four Lucio Fulci films, the first of which is 1980’s City of the Living Dead. Her second Fulci film, 1981’s The Black Cat, features some of her finest titty shots. She also flashes them in The House by the Cemetery (1981) and bares all three Bs in The New York Ripper (1982), her final two Fulci flicks, respectively. After a role in the 1982 comedy I camionisti (The Truck Drivers), Daniela’s career drew to a close. We have no idea what Daniela has done since her retirement, but she was a part of the archival footage used for the 2010 documentary Video Nasties: Moral Panic, Censorship & Videotape.